An advanced study of dramatic literature in its context as a basis for theatrical production. Textual interpretation is considered from the viewpoint of all members of the artistic team. The course requires practical application of analytical theories.

This class introduces students to critical theories of performance and production and to the various issues raised by the professional production of selected plays. May be repeated to a maximum of six credits.

This course focuses on the application of performance/production research to the actual production of a dramatic text. Students will investigate the work of a selected writer, examine critical and historical materials relative to that writer, and then apply this research to the production of one play. The play will be produced as a part of the department's Studio Season. May be repeated to a maximum of six credits.

The rehearsal and performance of scenes and class exercises in improvisation to develop creative imagination as a basis for acting. Lecture, three hours; laboratory, two hours. May be repeated to a maximum of six credits.

Study of conceptual collaboration while working within the production environment.

Selected topics in contemporary and historical American Theatre. May be repeated to a maximum of six credits.

Advanced problems in design and technology. Subtitle required. Course may be repeated to a maximum of twelve hours when identified under different subtitles.

Advanced practice and research in acting theory and technique for the director or dramaturg. May be repeated to a maximum of 6 credits when identified by a different sub- title. Lecture: 3 hours; laboratory: 2 hours per week.

Seminar and research in the aesthetics, history, style, and directional techniques required for theatrical production. May be repeated to a maximum of 6 credits when identified by a different subtitle. Lecture: 3 hours; laboratory: 2 hours per week.