This course will examine traditional and emerging concepts of alcoholism and problem drinking with special attention to problems in definition. The contributions of recent research to our understanding of risk factors associated with various populations will be reviewed. Selected strategies for identification of and intervention into alcoholism and problem drinking will be discussed with particular attention to the unique problems and needs of racial minorities, youth, female, and other populations.

An intensive analysis and study of forensic mental health including court evaluation, courtroom testimony and treatment of the victim. Students who wish to take this course for three credits will be expected to make an in-depth study of a specific content area. Lecture, two hours; laboratory (only for those taking the course for three hours), two hours per week.

This course is designed to facilitate the student's completion of the dissertation prospectus and the dissertation itself. Students will make formal presentations on their research plans and will address available literature, measurement and methodological issues, analysis of data, limitations, and importance of the investigation.

This course complements and enhances the skills and methodologies learned in TA 260. Studies focus on the finer construction techniques used in the construction of stage properties, metalworking, and project planning.

A studio course to develop the graphic skills in relation to theatrical design and technology. Sketching, rendering, mechanical drafting, pattern drafting, CAD, and relative computer programs are explored. May be repeated to a maximum of six hours.

Theory, design and application of sound for theatre and allied entertainment fields. Examination of the practical and aural elements of sound through research and analysis. Introduction to audio terminology, equipment, and production.

A workshop that explores the history, literature and performance of theatre artists of the African diaspora.

For students interested in design and technology, this course allows them to work under the direct supervision of a member of the design and technology faculty as they assist on a project for the UK Theatre Season. May be repeated to maximum of twelve credits.

In this advanced acting course, students will explore and perform scenes written by American and European master playwrights from the late 19th through the end of the 20th century. Students will apply historical research, advanced textual analysis, and physical and vocal techniques to the works of playwrights such as Henrik Ibsen, August Strindberg, Anton Chekhov, Clifford Odets, Eugene O'Neill, Lillian Hellman, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Edward Albee, Neil Simon, and August Wilson.

This is a studio course about scene painting, color theory, and their practical application for theatre, film, and interior design. This course will focus on classic faux finishes and painting techniques commonly used in the theatre industry. This course requires additional cost for supplies and participation in departmental (on campus) productions.