Books:
The Necessary Past: Revising History in Contemporary African American Poetry. Northwestern University Press, 2024.
Within the Walls and What Do I Love? by H.D. Edited and introduced by Annette Debo. University Press of Florica, 2014. 104-page introduction.
The American H.D. University of Iowa Press, 2012.
Approaches to Teaching H.D.'s Poetry and Prose. Eds. Annette Debo and Lara Vetter. Modern Language Association, 2011.
Articles:
"Historical Poetry in the Twenty-First Century. Cambridge History of African American Poetry. Ed. Keith D. Leonard. Forthcoming in 2026. 6335 words.
"Normal Holmes Pearson, Canon-Maker." Modernism/modernity. 23.2 (April 2016): 443-462.
"Prospects for the Study of H.D." Resources for American Literary Study. 38 (2015): 1-19.
“‘How Many Blitz-Nights, Did You Spend in London?’: H.D., World War II, and (Re)Writing History.” H.D.’s Trilogy and Beyond. Eds. Hélène Aji, Antoine Cazé, Angès Derail-Imbert, and Clément Oudart. Paris: Presses Universitaires de Paris Ouest, 2014. 37-43.
“Ophelia Speaks: Resurrecting Still Lives in Natasha Trethewey’s Bellocq’s Ophelia.” African American Review 42.2 (Summer 2008): 201-214. Reprinted in African-American Poets, Volume 2: 1950s to the Present, New Edition. Ed. Harold Bloom. New York: Bloom’s Literary Criticism, 2010. 145-163. Reprinted in Contemporary Literary Criticism. Farmington Hills, MI: Gale, 2013 and in electronic form in Gale’s Literature Resource Center.
“Signifying Afrika: Gwendolyn Brooks’s Later Poetry.” Callaloo 29.1 (Winter 2006): 168-181. Reprinted in Critical Insights: Gwendolyn Brooks. Ed. Mildred R. Mickle. Pasadena, CA: Salem Press, 2009 and in electronic form in EBSCO Publishing’s Literary Reference Center.
“Reflecting Violence in the Warpland: Gwendolyn Brooks’s Riot.” African American Review 39.1-2 (Spring/Summer 2005): 143-152. Reprinted in Critical Insights: Gwendolyn Brooks. Ed. Mildred R. Mickle. Pasadena, CA: Salem Press, 2009 and in electronic form in EBSCO Publishing’s Literary Reference Center. Reprinted in Contemporary Literary Criticism. Farmington Hills, MI: Gale, 2013 and in electronic form in Gale’s Literature Resource Center.
“Whiteness and the Black/White Border in H.D.” Paideuma: Studies in American and British Modernist Poetry 33.2-3 (Fall/Winter 2004): 155-175.
“H.D.’s American Landscape: The Power and Permanence of Place.” South Atlantic Review 69.3-4 (Fall 2004): 1-22.
“Interracial Modernism in Avant-Garde Film: Paul Robeson and H.D. in the 1930 Borderline.” Quarterly Review of Film and Video 18.4 (15 Nov 2001): 371-383.
“Power, Destiny, and Individual Choice: Gloria Naylor’s Naturalism.” CLA Journal 44.4 (June 2001): 492-521.
“Dickinson Manuscripts in the Undergraduate Classroom.” College Literature 27.3 (Fall 2000): 131-144.